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Kyle Turner // Writer Person // Not a Golem
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Kyle Turner // Writer Person // Not a Golem
Home
Events
About
Work
Contact
Home
Events
About
Work
Contact

John Waters once told me I was a good dancer.

 

Essays

  • Love App-tually: Grindr and Queer Cinema // LA Review of Books

  • Bad Romance: Midnight Kiss and Post-Marriage Equality Horror // Bright Wall/Dark Room

  • Why Does Stand-Up Comedy in Movies Always Suck? // GQ

  • Pride in Queer Cinema of the Past Might Show Us Our Future // The New York Times

  • Is Camp Still Camp if the Met Gala Makes It a Theme? // Hyperallergic

Interviews

  • 12 People on Joining ACT UP: ‘I Went to That First Meeting and Never Left’ // T: The New York Times Style Magazine

  • “I Feel Totally OK with Being an Eternal Slave to Love and Cinema”: Yann Gonzalez on Obsession, Porn and Knife + Heart // Filmmaker Magazine

  • George Civeris Thinks a Little Bit of Self-Loathing is Not a Bad Thing // Nylon

  • Love is Company: Director Marianne Elliott on Her Revival of Stephen Sondheim’s Classic Musical // Interview Magazine

  • Andrew Haigh Talks ’45 Years,’ Difficulty of Expression, the Key to Happiness, and More // The Film Stage

James Bond

  • "You Were Expecting Someone Else?" Why a Non-White James Bond is the Franchise's Logical Next Step // RogertEbert.com

  • There's No News Like Fake News: Tomorrow Never Dies Today // Paste Magazine

  • Casino Royale at 10 // Movie Mezzanine

  • After ‘Spectre,’ The Only Way to Save James Bond Is to Kill Him // Flavorwire

  • Everything or Nothing: What a James Bond Lawsuit Says About the Legacy of the Franchise // /Film

He wrote about Sondheim’s Company again???

  • In 1970, the Original Cast of Company Went Through Hell to Record Their Album // Hyperallergic

  • On Baumbach: I Don’t Think You’ll Ever Be a Kid Again, Kiddo // Metrograph

  • Being Alive in 2019: The Year Sondheim Saturated Pop Culture // Paste Magazine

  • Why Is Stephen Sondheim Karaoke in All Our Movies Now? // Vulture

  • Yes, Thank You for Remembering: Marianne Elliott and Rosalie Craig’s “Company” as Memory Musical // Medium

TV

  • The Friends Pop-Up Captures Everything About the Show Except What Made It Great // Slate

  • Glee captured all of its wasted promise in one character // The AV Club

  • Hulu’s Love, Victor is caught up in the mythology of white gayness // Polygon

Theatre

  • West Side Story is back on Broadway and tackles our uneasy relationship with surveillance // Mic

  • Goodbye to All That: Matthew Lopez’s The Inheritance // Medium

  • Women Under the Influence: Ivo van Hove’s All About Eve and Cyril Teste’s Opening Night

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